erotic film

Wat zien ik?

Blonde Greet immortalised for Dutch readers in the novels of actor-author Albert Mol, is the Irma la Douce type of prostitute with a heart of gold - simple, clever and witty all at once. Piet Römer plays the irresistible social worker in this quick, colourful farce about the ladies of Amsterdam nights and their guardian angels, and their often-harassed costumers.

Wet Dreams

Episode film with 14 short erotic films.

Under the direction of Max Fischer, a number of directors, photographers and artists made short erotic films, films that distinguish themselves from exploitative sex films by the artistic or subversive way they approach the subject of the erotic. The directors involved include: Nicholas Ray, Lasse Braun (using the pseudonym Falcon Stuart), Dusan Makavejev (listed in the credits as Sam Rotterdam) and Jens Jörgen Thorsen. The Dutch contributions were made by Geert Kooiman and he painter Hans Kanters.

Allemaal naar bed

Advertised as the Netherlands’ first sex comedy but in fact a dry, documentary-like film about the reasons why people are willing to perform sex scenes in front of a camera.

For the most part the film consists of talking about all kinds of prejudices and difficulties that a sex film, or films with explicit sex scenes, can run into. The censorship board, attitudes of the government and politicians, private frustrations – everything is discussed.

Mens erger je niet!

Hans and Rietje have just got married. He is a truck driver and often away from home. Rietje's mother feels she knows plenty about the life her son-in-law is leading and sets her daughter against him. Rietje gets a job in a hotel and comes into contact there with a film producer, Pim de la Parra, who has a way of walking around in the nude with his secretary. Hans is so disturbed by this contact of his wife's that he becomes responsible for a road accident. When the case is heard, Rietje takes the blame on herself, but Hans is sentenced to five months in jail all the same.

Het jaar van de kreeft

The portrait of a brief but tumultuous love affair between a young woman and a man about the same age, 30, whose style of life is utterly different. Pierre is a successful businessman, a 'modern conservative'. Toni is a hairdresser with a company of revue artists, living in a far less protected world. The people she moves among are different from Pierre's rather formal friends. They find it fairly easy to disregard existing norms. But Toni's non-conformism arouses Pierre's interest.

Pages