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A man and a woman, are in a closed cube that continuously rotates. Using animation, it is possible to look inside this moving space because walls are removed and replaced at just the right moment.

The movements of these two people form a...

Three women with masks, one with a man’s mask, during a meal. It degenerates into total destruction.

Ecce homo narrates, almost silently, the story of a man and a woman who meet once again and try to repeat an experience that they had previously shared. They exchange glances in a bus, and the framing and editing alone make palpable the...

Echelon begins with images of Luyken’s sons, who are hitting pieces of a sarcophagus. We then see images of performances that depict a disabled woman, followed by shots of wrecked trains. In contrast to these images of destruction are...

A found-footage film composed of corporate videos, instructional films, and promotional films from the past century. Rotating machinery, transportation, mining and oil drilling: forward thinking and technological developments are festively...

Against the background of a white wall, Luyken films two performances. The images are interspersed with one another: a man and a woman are painted with white paint, while another couple is wrapped in paper and coloured with paint.

The...

Two men and a woman, dressed as office clerks, perform a choreography on Rotterdam’s Erasmus Bridge.

A painted man and woman play with an egg; the man then drains it across the woman’s chest, then finishes the artwork by throwing on some flour.