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Twelve different everyday events that become special and sometimes even absurd by virtue of their ordinariness.

An absurdist film about a man who lies dying, creeping in the mud. Next to him is the decomposing body of a second man. In between we see images of an abused dog. At the end of the film, the wounded man is taken to the hospital.

Observations of a woman with a Japanese mask dressed in a large painted robe. She moves along the ground amid a (photographed or painted) backdrop of trees and a Japanese window. In the beginning, she is restless and her movements occasionally...

A naked woman, smeared with flour, makes a cake on a sofa. Behind the sofa, a boy appears with a toy airplane, against the background of wallpaper with a New York print. He shoots pink icing on the cake and the woman.

Two men fight each other in a harbour area at night. They briefly lose sight of each other, and then again become embroiled in a fight. The chase and the fights sometimes take the form of a dance.

A cheerful Indian lady, wearing jewellery and a black veil, chats on camera. The viewer only sees what she is talking about in terms of images, and does not hear what she says. When her lips are not moving, with her red-painted nails and fingers...

The starting point for this film was to visualize a person’s memories; in this case, those of a ‘sculptor’.

The film does not follow a story, but instead represents serval aspects of those memories (including time alignment, dreams,...

In an artificial mountain landscape, the father and son De Nooijer reflect on film and photography. The visual difference between the two media is explained.